Patronizing Behavior

I have been called many things in my life, but this latest is different, “Patron.”

Last evening I attended the final hours of a silent auction for the benefit of the Riverwest Artist Association.  As the auctioneer read off the list of winners, my name came up a few times.  After the second, “Looks like we have a patron here,” was the comment.  I consulted, via text, my friend J, “True. You most certainly are.”

“I just never was called that until U so dubbed me just 2 weeks ago.  Still getting used 2 the title,” I replied.  “Enjoy it.  It’s a good one.  And ur efforts are very appreciated.  Particularly these days.”

I suppose some background is in order.  My firm has recently moved into new offices.  Large offices.  Offices with lots of empty walls, high ceilings, and the sort of vibe which just calls out for art.  I have an extensive art collection, but have not purchased much in the past few years because I have run out of places to put it.  Walking through the new office space I commented, “We’ll need more artwork.” “That’s your job,” my boss fired back.  Okay then, I took him at his word and begun an acquisition binge which has only now, with last night’s auction, reached its end.

I am not a wealthy man, but I am well off enough to invest some money in art.  In these troubled times I consider it to be my own personal economic stimulus plan.  Art is a good investment, it appreciates in almost all market conditions and has more intrinsic value to its owner than any paper investment does.  Stocks may offer more upside potential (and risk) and bonds may offer more reliable earnings, but they’re not much to look at.  Art; art is a joy to be around, it betters our lives, improves our surroundings, adds to the human experience, and it appreciates.  You can’t beat that.

So, I am now a patron.  “Everyone’s happy when the collector shows up,” I quipped at a recent benefit art sale.  Oh, those were the innocent days, when I was merely a collector, before I undertook this patronizing behavior.  Well, if I have to be something, I guess being a patron of the arts isn’t so bad.

So I encourage everyone to go out there and buy some art.  You cannot find a better way to inject money directly into the economy than spending it on something created by people with no economic sense of their own (artists) who will immediately take that money and spend it on the essentials of their life.  Go find a student art show, of which there are always plenty this time of year, and buy buy buy!  In Milwaukee, go to MIAD, whose senior thesis show is on display until May 9th, or check out any one of the UWM School of Art thesis shows, such as “expose(d)” at the Kunnzelmann Esser lofts, or the Union Art Gallery, or Innova gallery.

Or, check out one of the numerous benefit auctions.  I have attended two of these in the past week, and gotten wonderful pieces of art at ridiculously low prices, all while benefiting good causes.  You see, not only do artists, as a breed, have no economic sense, but they also tend to be outragiously generous, and give away their work to worthy causes much like a drunken lout dispenses his opinion.

Maximilian’s Multi-Chambered Heart

Much is made in literature of the human heart. A marvelous contraption, it is comprised of four chambers, there are the left and right sides, of course, each comprised of a ventricle and an atrium. The atria serve as antechambers, the waiting rooms of the heart, where the blood is marshaled and staged for its eventual entry into the real workplace, the ventricle, where it shall dally only for the briefest of time before being propelled out to ferry oxygen to the many constituent parts of the body.

Maximilian had a heart, but it was often said that Max’s heart had many more chambers than yours or mine. Max had a heart with at least forty chambers, by his reckoning. You see, Max had figured out that into each chamber of each heart one love could fit. He reasoned that a typical person could harbor a few loves at once. There would be two, two precious ones, which could tarry in the atria, and two others, two turgid ones, which could rush through the ventricles. A man, by Max’s theory, could husband the love for his wife and his mother, preserve it, and yet have a place for the fleeting lust for a mistress or a waitress, or both.

Max was no mere man. Max was sure that he had his forty chambers in his heart, and Max set about finding a love to fill each of them. As his heart was no larger than the average man’s, it necessarily had much smaller chambers. Thus, he harbored much smaller loves. Rather than a lavish boudoir, a chamber in Max’s heart resembled a bus shelter or phone booth. The loves he sequestered there would thus be more modest, if they were to last, or more abrupt, if they were to be intense. This is all a delicate balancing act, and this required Max’s utmost attention if he were to maintain even the slightest degree of decorum.

Because of the peculiar demands of maintenance his heart imposed upon him, Max had learned to avoid those deep and broad loves. That would never fit within one of the countless chambers under his leasehold. No, Max would seek the shallow, the fleeting, those briefest and most transient of affairs. Whenever he would start to fall in love, in love, Max would remind himself of the massive amount of housekeeping which would be involved merely to arrange accommodations for this love.

He would imagine the swarms of romantic white blood cells sent in to evict excess or dilatory loves to make way for the new large one, and the lymphatic moving crews required to clear away the detritus. He would think of the security deposits to be processed… By the time Max was done with his cardiac bookkeeping he would have lost all interest in this new, larger love. He would go back to the small loves.

The small loves, they always seemed to keep him company anyway. They made only small demands upon him. They gave him small delights. They left only a little scar tissue. They couldn’t even be missed.

And neither, it seemed, could Max.

You Can Kiss My Toxic Asset Goodbye!

Is it just me, or is anyone else getting just a little tired of hearing “Toxic Asset” as though the term were something we should all just accept, like “Home Improvement” or “Nightly News”?  I mean, come on, “Toxic Asset”?!?  What is that, a pseudo-ironic rock band name, like Iron Butterfly, Led Zeppelin, Grateful Dead or Velvet Revolver?

Who coined this phrase?  Toxic Assets… How about “The Scattered Shards of Countless Shattered American Dreams”  At least that would reflect the actual basis of these stakes.

What is the flip side to a Toxic Asset; Healthful Liability?  Invigorating Death?  Happy Foreclosure?  Gleeful Depression?

Count me out.  I want to call these what they are — Bad Bets.

Just A Phrase I’m Going Through

“My Dress Whispers `Reckless,’ I Don’t Feel Right”

Words found in a Google search, from a web page no longer extant.  I’ll just put them here for safe keeping, ’til a use can be found for them.

“Her dress whispers reckless” comes from the Hey Monday song, “Josey” but the next line should be “The night starts now as she slips on her necklace.”

The phrase has taken on new life, however, in teen girl’s blog postings and titles.  This particular instance, however, seems to have been scrubbed since being written.  Perhaps because the post went on to describe self destructive behavior.

Black Thor


He looked like a black Thor, standing by the side of the crowd. He was surveying the periphery when I first saw him. I could tell he was someone official by the sticker on his – well, how can I describe it – it was kind of like what Thor would wear if he were a black man in the latter part of the twentieth century.

Even though he appeared to know many of the people in attendance, he kept an air of duty about him. He mingled, and said hello to all of the right people, yet he was official all of the time. He had power, he was definitely in control, and yet he was with the people.

I did not know him, yet I wanted to know about him. It was a large enough crowd that I felt I could probably observe him for some time without attracting attention, and so I did. Thor didn’t even seem to notice as he looked over the crowd as a shepherd might watch over his flock. I reflected upon the fact that there are very few black figures in the mythology of our childhood. Looking at Thor, I couldn’t see why. He cut an imposing yet majestic figure amidst the proceedings. He was a figure to look up to, to offer sacrifice to.

How could a god be in our midst, here in simple little Milwaukee, and why hadn’t we been notified of it in advance? When a film was being shot here we got day by day, blow by blow, accounts of it in the daily media. Yet here we had a deity walking amongst us, and, apparently, I was the only one who knew. Should I call the Action News Line 271-NEWS? Would they believe me? or would it be like Miracle on Thirty Fourth Street all over again? I felt somehow drawn to this Black Thor, to know his story, to understand how a black man could not only survive in Norse mythology but obviously thrive there to such an extent that he could be here and now, gracing the people of Milwaukee with his presence.

When I was a child, I read all of the great myths; Persious and Hermes, Titans and Hades, Loci and Mercury, Norse, Greek, Roman. They had fascinated me, they had taken a young boy’s mind and played freely upon his consciousness. While my contemporaries were out playing football or wrestling, I read Bullfinch’s and other collections. I imagined what the world must have been like when the gods called it their home, too. I always wondered where they had gone to, and why. I never subscribed to the Judeo-Christian mythology, and it’s perfect deities. I found the all too mortal gods of the Greeks and Norse to be much more believable. They were like us, like me, only better.

Only the Norse provided an explanation for their god’s disappearance. Loci, less than a god yet more than a man, had created a web of jealousy and suspicion. His callousness and self interest had caused the collapse of the entirety of the heavens. The gods had ended up retreating to Valhalla, leaving man to fend for himself in a world that had become too complicated for gods and goddesses to populate.

It was just one of many times in my life that I wanted to go back, to live the past for myself, rather than through a book. It’s a feeling similar to that which you get when you discover a dusty old box of post cards in the attic of your grandparent’s house and you see places or scenery that is vaguely familiar. As you look at the pictures, and read the faded inscriptions on the backs, you feel a longing. It is a longing that can transport your fantasy faster than any promise can.

Perhaps it is just because it is no promise, it is something you know cannot be, that you can so freely allow yourself to drift in the arms of dreams to find yourself in a distant past, whether it be upon the top of Mount Olympus or at the front of a wagon train heading west for the Oklahoma Purchase. The past is the most faithful of seducers, for it can’t mislead you, try as it might. If you believe in your own existence then you are safe.

So, when I was a child and my mother read me the works of H.G. Wells, it was not the Martians or the mutants that captured my imagination. It was the past. It was a time and place where the concept of such things as Martians and mutants was still so fresh. Perhaps the most seductive feature of the past is that it provides the most expansive frontier in which success is guaranteed. As a child, or as an adult, the future, while vast, holds as much chance of failure as of success. But the past … the past offers only success; discovery, invention, primacy and priority, notoriety and newness. As contradictory as it may sound, the past offers more opportunity for newness than the future, for it is always so difficult to fathom what is left to be new.

It was with these memories racing through my mind that I followed Thor. That I observed his actions and behaviors. I wanted to know what it was that a god would want to do upon our planet, our country, our town, in this day. Did he know that, according to his own mythology, he should be wintering in Valhalla, and summering in a galaxy far far away.

I remembered my own childhood again, when my mother read to me from the hallowed pages of H.G. It was The War of the Worlds, the Martians were encroaching upon all that was English and right. They were threatening the way of things. H.G., or, more properly, his character, was hiding in a coal bunker. Here was the literary vestige of one of the greatest writers of our era, hiding in a coal bunker, and that was where I wanted to be. I wanted to smell the coal dust, to feel the Martians near me, to try and think of a way to beat them, to bring the power of my wit the power of a 1920’s wit to bear upon the problem of the Martians and their occupation.

What was important here was not what was; myself an eleven year old kid, the story a fifty year old fable, the Martians an impossible foe. What was important was that I wanted to be the one who figured it out. I wanted to be the one who played the hero and saved the world, with a future that I didn’t already know.

Did Thor know the future? Did he understand how preposterous it was for him to be here? He was a god, after all, so I guess he must have. What is it like, I wondered to myself, to be a god from another era, another millennium, and walk amongst a people who do not even recognize you? It is said that Zeus used to change his form so that he could pass unnoticed amongst the common man, but surely that was not Thor’s situation, for I had easily picked him out in the crowd. And as for him being black, well we have only the dusty old books relating even dustier old legends to rely upon for our image of him. I can just imagine some mythologist, a few hundred years ago, saying to himself, “Hmmm, a black Norse God … Naaa, It’d never fly.” That’s how mythologies get written, anyhow.

I followed Thor as he walked slowly and majestically around the crowd, bowing his head slightly as a greeting to people who thought they knew him. I looked at the other people around me, to see if any of them had recognized him as I had. Alas, they had not. I was alone, it seemed, his only apostle, the only link between his past and my present.

I suddenly felt as though I possessed a great power, power over a god no less, for all that makes a god a god is the belief which we place in them. Take the Greek gods and goddesses, for example. Their downfall came not from any anti-god virus or excessive drink, no their fall from grace was the gradual decline in belief. If one is a god, then belief is your sustenance. The Greeks were usurped by a newer, younger god. When you’re a god, the old saying “Strength in Numbers,” has a different meaning; it is the number of believers that you are concerned about. The more gods you have, the more you fragment the available pool of belief.

As clear as I could tell, Thor had only one believer, me. Which put me in a position of extraordinary power. If I were to simply stop believing in him, he would cease to exist. All it would take was one capricious decision on my part and his godliness would come to a screeching halt. If I were to drink just a little too much, say, pass out, and awaken in the morning not remembering any of this evening’s events, he would be as good as gone.

I suddenly felt as though I no longer had to take responsibility for my actions. After all, I was a god’s protector. Yet I felt I had to take increased responsibility, as well, for he depended upon me. It is a difficult weight to carry upon one’s shoulders. What if I was to be hit by a bus? Would Thor take the same interest in my well being as I feel I must take in his? Does he, for that matter, even know that I am his believer? I had made no sacrifice or other homage. Quite the contrary, up ’til this point I had not even acknowledged my recognition of him. Should I now? Was that in my own best interest?

“Excuse me, Mr. Thor, I just wanted you to know, I believe in you. I’m the reason you’re here. Oh, and while we’re at it, could you please watch over me? It’s for your own good, you know. Remember what happened to the Greeks (nudge nudge).” I think not. One doesn’t just walk up to a god and say these things, does one. Besides, this is Thor, the God of Thunder. If he wanted, he could have me for supper. Even if it would mean his extinction, he might think it was worth it. How often, throughout history, have we read of men who would give their lives to kill a God? Was this any different? For, in a sense, I was Thor’s God. He depended upon me, he needed me, I held infinite power over him. And, from the looks of things, he couldn’t have cared less.

I don’t think he even noticed me as I tailed him about the area. At one point he suddenly turned and almost ran me over. His eyes never even looked. I watched his face, looking for some sign of recognition. There was none. I was showing him some degree of respect, the least he could do is return the favor. I guess that’s a lot to ask from a God, though, isn’t it.

Things continued along these lines for quite some time: Thor, being Godly, and I, following him and contemplating all of the ramifications. The festival wound its way into the night, and we each had food and drink a’plenty. I fancied that we were at some truly Dionysian event, which, had we been in the proper time, would have been attended to by lovely maidens dropping peeled grapes into our mouths as we guffawed over the antics of mortal men and toasted each other for our power.

Would I have sat at Thor’s right hand? or he at mine? I wondered. Who is truly the greater, the believer or the believed? Where, for example, would Jesus have been, was it not for his apostles? Without anyone to tell of his power and greatness, he would be just another dead Jew. Or even, for that matter, Santa Claus. In Miracle on Thirty Fourth Street, doesn’t Kris Kringle say that for as long as a single child believes in him he shall continue to exist?

As I approached the beverage tent to order another drink I was beginning to feel rather emboldened by the current state of affairs. I tipped the bartender a few dollars I could afford it, I knew a God. All this time I kept my eye on Thor. He stood nearby me now, enjoying the festival as much as I was. I was proud of the fact that, up ’til now at least, I was going drink for drink with a God. How many people can say that? I will admit I was feeling a little light headed, but nothing too bad. Thor, on the other hand, was getting down right happy.

I guess it’s only appropriate that a God should be a happy drunk. I mean really, what does he have to worry about. My health, of course, he has to worry about my health. Without me, he’s nothing. It was rather remarkable that, considering the circumstances, he had done nothing to enlist any more believers. I think, were I in his shoes, I would at least have given it a token effort, but he had not.

As I watched, Thor turned, and, for the first time, his eyes met mine. It was as if I was looking into a bottomless well of humanity and compassion, of age and faith, of hope and inspiration. I was overwhelmed by this, and averted my gaze. I looked up again, in time to see him drop his empty cup into the garbage, and walk around the side of the tent. Regaining my composure, I no longer thought of power or compromise. I just believed, unconditionally.

I quickly ordered myself another drink, and one for Thor. I’ll just walk up and give it to him, I thought, and quietly walk away. Maybe I’ll just kind of look him in the eye and say “I believe.” Or, if he’s interested, a short theological discussion might be in order. I took the drinks from the bar, and proceeded to follow Thor’s trail.

As I rounded the corner of the tent, I heard a faint hacking sound, and a muffled moan. There, crouched next to the canvas, was Thor, a pool of vomit at his feet. Here was Thor, a God among men, with a pool of vomit at his feet. I slowly walked ’til I stood above him. I pulled myself up to my full height, held the drink out before me, and said “I believe, I truly believe.”

Thor looked up from his own morass and stared at me long and hard. As I met his gaze, I felt that same overwhelming impression as I had previously, that same compassion for mankind. He raised his hand to mine and took the drink from me. He looked at the drink, and then, again, at me. He wiped his mouth, took a sip, and said “So do I.”

How Bad Was Bobby Jindal?

David Brooks on Charlie Rose last night:

I thought Bobby Jindal gave possibly the worst response to a Democratic speaker in the history of democracy…

Nate Silver at FiveThirtyEight.com:

10:29 EST (Nate): If it sounds like Jindal is targeting his speech to a room full of fourth graders, that’s because he is. They might be the next people to actually vote for Republicans again.

From Politico comes this quote from Thomas Schaller, a political scientist at University of Maryland, Baltimore County:

Someday, when scholars are trying to fingerpoint the nadir of the post-Bush Republican Party, they may arrive at Jindal’s speech tonight,… Though it was a tough moment for any Republican to give the opposition response, his speech came across as unserious in content and condescending in its tone.”

Wow, I figured that following Barack Obama would be a tough act, but can’t this guy get any love?

WOC 2009 – Day 6 – Carrie Nations Reborn?

I went to a big shin-dig at the Wynn casino tonight.  It is day six of the 2009 edition of World Of Concrete, and my sponsor had a thank you dinner for their dealers.  Wonderful feast, open bar, good cheer.  The band was one which has played these events many times over the years.  A couple of horns, drums, guitar, keyboards and a pair of vivacious female singers.  One of them looked strikingly like Dolly Martin (nee Read) widow of the late Dick Martin (think Rowan and Martin’s Laugh-in) and star of Beyond the Valley of the Dolls(BVD), the fantastic 1970 Russ Meyer film.

Dolly has a very distinctive face, and this gal had that same smile, crescent-moon eyes and high cheekbones (along with slatherings of mascara).

Dolly Read

Dolly Read

Seeing her made me think of the lovely Theresa Duncan, who turned me onto the Carrie Nations and BVD a couple of years back, while we were discussing a particularly brazen act of suicide which I was trying to write about; or, more accurately was trying to get Theresa to write about, having given up on it myself.  She compared the suicide in my historical record with the attempted suicide of the band’s manager in BVD and that prompted me to rent and watch the film.  I became an instant fan of Russ Meyer.

Sixty days later Theresa committed suicide, a week later her lover, Jeremy Blake, followed her.

So, a lovely young woman singing made me sad tonight, through a series of connections completely beyond her control.  So ends day 6.

WOC – Day 1

In Las Vegas for setup for World Of Concrete 2009 — My second year.  Town is much quieter this year.  There are a slew of half finished construction projects seemingly frozen in time.  The huge cranes, derricks and boom pumps are all still standing, but they are still and calm.  Everyone seems a little bit more on edge, the gaming floors less peopled, the lounges more empty.

Several of the big attractions are closed or closing.  The Hilton has one fewer restaurant, and another on reduced hours.  Tom Jones closes in a couple days.  The Doobie Brothers are here for a limited engagement, and Heart will play for only two days.  Upkeep on the hotel seems to be down as well; it takes longer for the hot water to reach the upper floors, the windows are filthy.  Kind of goes hand-in-glove with the US Airways charging for the 1st checked bag, and for water…

Took a walk along Desert Inn Drive this afternoon and the air was acrid with exhaust and diesel fumes.  At 57 degrees I feel fine in my shirt sleeves, but the locals are wearing jackets.  The show floor is succumbing to a fresh blanketing of carpet.  Tens of thousands of square feet of carpeting with under-foam, will be laid today and tomorrow morning, then covered with plastic sheeting so that the thousands of tons of construction machinery can be driven around on it and manuevered into perfect position.   Once positioned the trucks will be detailed, touched up, tricked out.  The furniture and potted plants will be brought in, the structures will rise up out of thousands of crates which appear and disappear in seemingly perfect choreography…or is it barely controlled chaos?  Large format plasma screens will alight like so many butterflies on so many exhibit walls.  Cables will be plugged, connected, strung and stretched (and cut and broken).

When all is set the plastic sheets will be trimmed back from everything, the candy dishes will be filled, the coolers stocked with fluids of all sorts.  The computers booted up, the badge readers plugged in, the booth-bunnies given their marching orders…etc.

Ahh yes, WOC 2009.

Gray Lady In A Muddle

There’s a whole lotta muddling going on over at the venerable “Paper Of Record,” the “Gray Lady,” the New York Times.  Here is Joe Nocera in his column today:

L. William Seidman, the former chairman of the Federal Deposit Insurance Corporation — and who, like Mr. Ryan, was deeply involved in getting us through the S.& L. crisis — describes the current approach as “muddling through.” He added, “If you can muddle through, it is a lot more pleasant than what we had to do.” Without question, if we keep taking the current approach — throwing more capital at a bank whenever it falls into crisis because of its mounting losses — eventually the losses will end. They have to someday.

New York Times | First Bailout Formula Had It Right

Meanwhile, Paul Krugman in his regular column has this to say:

Or consider this statement from Mr. Obama: “Our workers are no less productive than when this crisis began. Our minds are no less inventive, our goods and services no less needed than they were last week or last month or last year. Our capacity remains undiminished. But our time of standing pat, of protecting narrow interests and putting off unpleasant decisions — that time has surely passed.”

The first part of this passage was almost surely intended as a paraphrase of words that John Maynard Keynes wrote as the world was plunging into the Great Depression — and it was a great relief, after decades of knee-jerk denunciations of government, to hear a new president giving a shout-out to Keynes. “The resources of nature and men’s devices,” Keynes wrote, “are just as fertile and productive as they were. The rate of our progress towards solving the material problems of life is not less rapid. We are as capable as before of affording for everyone a high standard of life. … But today we have involved ourselves in a colossal muddle, having blundered in the control of a delicate machine, the working of which we do not understand.”

But something was lost in translation. Mr. Obama and Keynes both assert that we’re failing to make use of our economic capacity. But Keynes’s insight — that we’re in a “muddle” that needs to be fixed — somehow was replaced with standard we’re-all-at-fault, let’s-get-tough-on-ourselves boilerplate.

New York Times | Stuck in the Muddle

And here is David Brooks, in a similar theme:

But the stimulus bill emerging in the House of Representatives does neither of these things. The bill marked up Wednesday in the Appropriations Committee is a muddled mixture of short-term stimulus haste and long-term spending commitments. It is an unholy marriage that manages to combine the worst of each approach — rushed short-term planning with expensive long-term fiscal impact.

New York Times | The First Test

No wonder the Lady is Gray!